Arif Bahaduri – Painter and Performer – Kabul

Born in Ghazni Province, Afghanistan, in 1992

Certificates and Awards:

Participated in Vasl artist collective residency Pakistan (2017)

Certificate ,Afghan contemporary art prize, 2013 Certificate, Republic of Czech, 2010

Certificate, Amozgar Radio Station, 2010 Certificate, Universal Peace Federation, 2010

Solo exhibition

Incurable wounds, Kabul, 2013

Group Exhibitions:

Fabric ( Orielsycharthgallery) Wales, 2014

Afghan contemporary Art prize 4,  Bagh-e-Babor,Queen Palace ,Kabul,2013)

All Afghan Artists, Bagh-e-Babor, Kabul, 2012

Salaam Aftaab Festival, Third Eye photojournalism Center, Kabul, 2011

Peace Festival, Merfat Gallery, Kabul, 2010 Rewayat-e-Mazlomiat, Sarab Gallery, Kabul, 2010 New Year, Amozgar Radio Station, Kabul, 2010

International children’s’ of Fine Arts exhibition, Czech, 2010 Art for hope, France Cultural Center, Kabul, 2009

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Yossof & Zulaikha

An animated series using Miniatures belonging to the National Archives, Kabul, and based on the poem by Jami – Mawlana Nur-Al-Din’Abd al Rahman, Persian poet 1414 -1492 –

September 7, 2017, work in progress, we started the animation process with a great Afghan team. Some images very soon !

Story boarding :

storyboard

Atiq Rahimi at National Archives – Kabul

” An Afghan Cultural Identity ? ”

Exhibition at National Archives from April 25 till July 25, 2016.

A collaboration National Archives & Afghanculturemuseum.

With Atiq Rahimi, Bismillah Khusravi, Patrick Pleutin, Pascale Bastide

“My culture is genuinely plural. So, my cultural identity is defined by its interaction with the Indian, Persian-speaking, Arabic, Turkish and Chinese civilizations.

Seventy two nations shall hear from us their secrets. We chant the air of two hundred religions on a single note of flute.

The mixture of ethnic groups and cultures, the richness of this land is threatened by the wars, let us wish ardently the peace to protect this very unique wealth of ours” Atiq Rahimi

Zarif in Paris

Poésie, Exposition & Vente Privée at Galerie Nikki Diana Marquardt

A l’occasion de la soirée d’ouverture du samedi 29 novembre de 18h à 21h 
 
Nous aurons le plaisir d’accueillir notre invitée Leili Anvar, maître de conférence en langue & littérature persane
 
Projection de deux documentaires par Awaz Kabul 
Kabul Underground, (26min), documentary produced in 2011
Zarif “Precious” (26min), documentary produced in 2011
From Kabul with Love 
Afghanistan 2007-2013 | Photographies par Sandra Calligaro

Horaires

Samedi 29 novembre de 12h à 21h

Dimanche 30 novembre, lundi 1er & mardi 2 décembre de 12h à 18h

 

Galerie Nikki Diana Marquardt 
10 rue de Turenne
75004 Paris 
+33 (0) 6 661 71 7518

 

Wajma, une fiancée afghane

Projection vendredi 16 mai 2014 à 20 h, salle Jean Dame.

Entrée libre

17 rue Léopold Bellan 75002 Paris

Métro : Sentier ou Les Halles
La salle fait 300 places inutile de réserver.

Manifestation soutenue par la mairie du 2e, L’Autre Ecran, et l’Association Toiles et Toiles
Contact : Marie-Sylvie Rivière – Tél. : 01 42 36 48 70

Portrait : Zarlacht Sarmastand

 

Zarlasht Sarmastand women’s rights activist born and raised in Kabul, Afghanistan. She started her television career at the age of 11 in 2006 presenting and producing radio segments for the “Powerful Youth”, a programme broadcasted at RTA (Radio Television Afghanistan) radio station. Due to her talent, later on she was invited to produce and present “Future Makers,” a TV programme funded by JICKA and broadcasted also in RTA, featuring young peace ambassadors and movers and shakers throughout the country whom were very active in their communities and working in the peace-building on the nation. In 2008, she joined the production team of “CSA: Crime Scene Afghanistan” as the youngest TV presenter and producer along with award-winner journalists Amin Hanqo and Zabiullah Arya to produce and anchor the weekly youth segment on Children and Youth’s right in Afghanistan. Funded by UNAMA, the TV programme promoted the articles of the Universal Declaration of Human Rights and the UN Convention on the Rights of the Child.

In 2011, Zarlasht was named as Afghanistan’s Youth Peace Ambassador by the Afghan National Jirga for her constant work advocating for youth’s and women’s right. Some of her latest projects include the 2013 Sound Central Music Festival for the Youth, “We Believe in Balloons” peace campaign and arts installation, “Creative Despite War” film project, among others. She is currently working in the production of a web series called “Conversations with Zarlasht” featuring interviews focusing on the artists, politicians, musicians, and citizens that are living and working in Kabul, Afghanistan. She is also applying to different university programmes and scholarships opportunities to study Human Rights and Journalism.

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Wajma, une fiancée afghane

Public Premiere  November 27th .

Réservez vos places pour la 1ère séance au MK2 Beaubourg à Paris en présence de Barmak Akram

Book your seats for the first showing at MK2 Beaubour, Paris with Barmak attendance.

Prix du Scénario Sundance Film Festival 2013 – Sélectionné dans la section film étranger pour les Oscars 2014 http://www.oscars.org/press/pressreleases/2013/20131007a.html

 

http://www.allocine.fr/video/player_gen_cmedia=19539521&cfilm=217276.html

Portrait : Chabname Zariab

I’m a writer and hopefully a movie maker very soon.

 

Born in Afghanistan,  I left my home country, with my mother and my older sister, at the age of 8.

I grew up in a very literary family. I studied law and Real Estate.

Great cinema enthusiast, I participated in a contest which was worth to me being the prize-winner of Ile de France within the framework of Youth Award at Cannes Festival in 2008.

Subsequently, I wrote a script for a feature-length film, “Second State” which is currently under development.

“The Afghan pianist,” my first novel has received several Awards including the Mediterranean Award for Students.

Today I live and work in Paris.

Wajma at Anonymous Film Festival – Romania

Barmak Akram’s movie “Wajma” (“A love story of Afghanistan”)  the winning film for the Best Screenplay at Sundance Festival (USA)  is in the running for the trophy Anonymous 2013.

Anonimul International Independent Film Festival takes place at St. George, in the Danube Delta Romania, between 9th and 18th August 2013

“Syngué Sabour” directed by Atiq Rahimi

 

 

STORYLINE

In the early 90’s, during the Afghan Civil war, before the Taliban took over, a war hero lies in a coma. At his bedside, his young wife prays for his recovery.

Yet, soon, leaving her husband behind, she has to flee with her two children to seek refuge in a brothel run by her aunt.

On her way to visit her husband, she is trapped into love by a young fighter. Against all odds, what could have been rape, turns into a true revelation of all her senses.

When facing her husband again, she decides to entrust him with her most intimate desires… In spite of himself, the man lying in front of her becomes her “Syngué Sabour”, her patience stone, which allows her to reveal all details of all her shameful secrets, misfortunes and sufferings.. Until it explodes!

View Source

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Portrait : Mehdi Zafari

My name is Mehdi Zafari, born in 1983 in Ghazni province of Afghanistan in the Gol-Kuh village in the district of Qarah Bagh.

I am studying Anthropology at the EHESS in Paris, France, I am also a documentary filmmaker.

When I was a child, during the Soviet Union invasion, our house was bombed by the Soviet killing eight of my family.  Following that tragedy, my family decided to take refugee first in Pakistan and then in Iran.  I finished my school in Iran, a country with which we share the same language and religion.

With the fall of Taliban regime I decided to go back to my country in order to continue my education. A year later, I entered Kabul University, Fine Arts section.

The faculty lacked expert teachers and equipments. The workshops launched by foreign embassies were our only hope for knowledge and experience.

In 2006, I entered a course on documentary filmmaking delivered by the French Film School Ateliers Varan. Since then I have participated in a summer school on Cinema and Human Rights held in conjunction with the Venice Film Festival in Italy, participated in the Berlin Film Festival’s Berlinale-Talent Campus, attended the French National Film School La Fémis Documentary Summer School, attended the  “5 sur 5” Film Festival held in La Louviere Belgium and took part in a Film Editing course provided by Ateliers Varan in Kabul and some workshop in Paris at INA.

In 2009 Ateliers Varan workshop, along with my former French professor, I served as assistant trainer for a new group of 10 young film students.

In October and November 2010, I was working as Trainer and Training Coordinator in a production and training documentary program for young film students in Afghanistan called Community Supported Film from Boston, USA.

 

 

Atiq Rahimi “The Patience Stone” next screenings San Francisco International Film Festival

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The Patience Stone

A woman tends to her comatose husband, an injured rebel fighter in an unnamed, war-torn village, only whispering of her fear for their two young daughters’ lives. Weeks go by, and as her desperation grows, she gives voice to previously unuttered thoughts and memories without regard for anyone’s reaction. In a mesmerizing performance, Iranian actress Golshifteh Farahani portrays a woman who, under the most extreme circumstances, discovers the core of her identity. | Read More

Tribeca  Screening Times

FRI 4/26 8:30 PM SVA Theater 2 Beatrice BUY TICKETS
SAT 4/27 6:00 PM AMC Loews Village 7 – 1 BUY TICKETS

And  at

  

 

Screening Times

Sundance Kabuki Cinemas April 28, April 29, 2013 Both at 6:30 pm

To buy tickets go to :

http://prod3.agileticketing.net/websales/pages/list.aspx?epguid=de0330a0-8003-46ae-a13b-f8dc0b8fea17&mdy=4/28/2013&

 

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Barmak Akram at Guggenheim NYC

Solomon R. Guggenheim Museum Fifth Avenue at 89th Kevin Street
6:30-8:30 pm, Friday, April 5 BARMAK AKRAM: THE KABULI KID
A Discussion with the Filmmaker and Screening of Wajma (An Afghan Love Story)A special one-time screening of Wajma (An Afghan Love Story), the most recent film written and directed by Barmak Akram (b. 1966, Kabul) that follows the clandestine relationship of gregarious waiter Mustafa and pretty student Wajma. Beginning as a playful and passionate affair, after Wajma discovers she is pregnant the consequences of the societal rules the pair has broken rapidly unfold. Awarded the World Cinema Dramatic Screenwriting prize at the 2013 Sundance Film Festival. Following the screening, Leeza Ahmady and Mariam Ghani join Akram in a discussion about filmmaking in Afghanistan, as well as the historic context and themes of cinema from the region. Program concludes with a reception and exhibition viewing of No Country: Contemporary Art for South and Southeast Asia.

Afghan films at Guggenheim NYC

History of Histories: Afghan Films, 1960 to Present

Fri, Mar 1, 15, 22, and 29, 2 pm

Organized by independent curator Leeza Ahmady and artist Mariam Ghani, this series of fiction films, newsreels, and documentaries juxtaposes contemporary work with selections from the archive of Afghanistan’s national film institute, and documents Afghanistan’s history and vibrant culture. English subtitles.

Leeza Ahmady and Mariam Ghani introduce the film program on March 1 and March 29.

Qadar Tahiri, Khan-e-Tarikh (The House of History), 1996Qadar Tahiri, Khan-e-Tarikh(The House of History), 1996. Courtesy Afghan Films
March 1, 2 pm

Selections from the Afghan Films Archive
(1967–80, 54 min.)

In these newsreels, documentary and propaganda shorts, and feature film clips drawn from the archive of Afghan Films, Afghanistan’s national film institute, the changing fashions, mores and politics of the constantly reconfigured state are reflected. With films from the end of the monarchy (the Zahir Shah period), the Daoud republic, the Afghan Communist republic, and the Soviet puppet state.

Khan-e-Tarikh
(The House of History, 1996, 20 min., dir. Qader Tahiri)

The only documentary produced by Afghan Films during the civil war years, The House of History is an intensely personal essay film directed by longtime cameramen Qader Tahiri that incorporates footage shot by six other cameramen from 1991–96 and poetic narration by Sher Mohammed Khara. The first half chronicles the destruction of Kabul during the civil war, while the second half meditates on the ruin of Kabul’s archaeological museum and the efforts to save fragments left behind after its destruction in 1991.

Fiction Shorts by the Jump Cut Film Collective
(2009–10, 10 min.)

The Jump Cut Film Collective was founded in Kabul in 2009 by a group of young, independent filmmakers who share both production duties and formal concerns. In the Name of Opium (dir. Sayed Jalal Hussaini) lies at the more experimental end of their output, with a completely nontraditional, circular or open-ended narrative structure and no dialogue. Formally, however, it is among the most completely realized of their films, with strong cinematography setting up a series of memorable images, each a small story in itself, and each a part of a larger opium-driven vicious cycle.

Feature: Akhtar Maskara
(Akhtar the Joker, 1980, 90 min., dir. Latif Ahmadi)

A stinging social critique of the gap between rich and poor, old and new Kabulis at the end of the 1970s, and the story of an unusual young man who falls into the cracks in between. Based on the novel by Aham Rahaward Zariab, and commissioned by the Parcham government, the film was shot by beloved director Latif Ahmadi in only 18 days; perhaps because of the literary source material, perhaps because of the compressed production time, it has a quality unlike anything else in Afghan cinema, with sharp cinematography, a twisting plot, and occasional breaks where our unreliable narrator (Faqir Nabi) addresses the camera directly.

Total run time 169 min.

Barmak Akram, Kabuli Kid, 2009
March 15, 2 pm

Documentary Shorts from Ateliers Varan Kabul
(2011, 47 min.)

Ateliers Varan, the documentary training program initiated by direct cinema pioneer Jean Rouch, has operated workshops in Kabul since 2006, in cooperation with Afghan Films and Radio Television Afghanistan. Shorts produced in Varan Kabul workshops have been screened in major documentary film festivals and broadcast internationally. The shorts Dusty Night and The Postman were produced during a workshop around “The Streets of Kabul,” and observe the rituals and rhythms of the city without judgment or commentary, unless offered by the participants observed. In Mohamed Ali Hazara’s Dusty Night, a group of street cleaners who fight a losing battle against the ever-present dust coating the city, and in Wahid Nazir’s The Postman, the eponymous postman Khan Agha attempts to deliver mail in a city reconstructed without a formal system of street names or house numbers.

Fiction Shorts by the Jump Cut Film Collective
(2009–10, 28 min.)

The Jump Cut Film Collective was founded in Kabul in 2009 by a group of young, independent filmmakers, who share both production duties and formal concerns. The early shorts ANT (dir. Hashem Didari) and Devious (dir. Sayed Jalal Hussaini) display Jump Cut’s preoccupation with narrative filmmaking that uses nonlinear temporal structures, as well as their interest in the illegal and informal economies, the petty and not so petty thefts, grifts, and deceits that spring from the inequities and poverty of Kabul.

Feature: Kabuli Kid
(2009, 94 min., dir. Barmak Akram)

In writer-director Barmak Akram’s debut feature, the life of cab driver Khaled (Hadji Gul) is thrown for a loop when he discovers that his last passenger left an infant boy in the backseat. Determined to do the right thing, Khaled embarks upon a chaotic adventure from one end of war-torn Kabul to the other to find the mother, all the while finding himself increasingly attached to the young life that fate has placed in his hands.

Total run time 169 min.

Latif Ahmadi, Akhtar Maskara (Akhtar the Joker), 1980Latif Ahmadi, Akhtar Maskara(Akhtar the Joker), 1980. Courtesy of Afghan Films
March 22, 2 pm

Selections from the Afghan Films Archive
(1967–80, 54 min.)

In these newsreels, documentary and propaganda shorts, and feature film clips drawn from the archive of Afghan Films, Afghanistan’s national film institute, the changing fashions, mores, and politics of the constantly reconfigured state are reflected. With films from the end of the monarchy (the Zahir Shah period), the Daoud republic, the Afghan Communist republic, and the Soviet puppet state.

Khan-e-Tarikh
(The House of History, 1996, 20 min., dir. Qader Tahiri)

The only documentary produced by Afghan Films during the civil war years, The House of History is an intensely personal essay film directed by longtime cameramen Qader Tahiri that incorporates footage shot by six other cameramen from 1991–96, and poetic narration by Sher Mohammed Khara. The first half chronicles the destruction of Kabul during the civil war, while the second half meditates on the ruin of Kabul’s archaeological museum and the efforts to save fragments left behind after its destruction in 1991.

Fiction Shorts by the Jump Cut Film Collective
(2009–10, 10 min.)

The Jump Cut Film Collective was founded in Kabul in 2009 by a group of young, independent filmmakers, who share both production duties and formal concerns. In the Name of Opium (dir. Sayed Jalal Hussaini) lies at the more experimental end of their output, with a completely nontraditional, circular or open-ended narrative structure and no dialogue. Formally, however, it is among the most completely realized of their films, with strong cinematography setting up a series of memorable images, each a small story in itself, and each a part of a larger opium-driven vicious cycle.

Feature: Akhtar Maskara
(Akhtar the Joker, 1980, 90 min., dir. Latif Ahmadi)

A stinging social critique of the gap between rich and poor, old and new Kabulis at the end of the 1970s, and the story of an unusual young man who falls into the cracks in between. Based on the novel by Aham Rahaward Zariab, and commissioned by the Parcham government, the film was shot by beloved director Latif Ahmadi in only eighteen days; perhaps because of the literary source material, perhaps because of the compressed production time, it has a quality unlike anything else in Afghan cinema, with sharp cinematography, a twisting plot, and occasional breaks where our unreliable narrator (Faqir Nabi) addresses the camera directly.

Total running time 174 min

Toryalai Shafaq, Mujasemaha Mekhandan (The Sculptures Are Laughing), 1976Toryalai Shafaq, Mujasemaha Mekhandan (The Sculptures Are Laughing), 1976. Courtesy of Afghan Films
March 29, 2 pm

Documentary Shorts from Ateliers Varan Kabul
(2011, 47 min.)

Ateliers Varan, the documentary training program initiated by direct cinema pioneer Jean Rouch, has operated workshops in Kabul since 2006, in cooperation with Afghan Films and Radio Television Afghanistan. Shorts produced in Varan Kabul workshops have been screened in major documentary film festivals and broadcast internationally. The shorts Dusty Night and The Postman were produced during a workshop around “The Streets of Kabul,” and observe the rituals and rhythms of the city without judgment or commentary, unless offered by the participants observed. In Mohamed Ali Hazara’s Dusty Night, a group of street cleaners who fight a losing battle against the ever-present dust coating the city, and in Wahid Nazir’s The Postman, the eponymous postman Khan Agha attempts to deliver mail in a city reconstructed without a formal system of street names or house numbers.

Fiction Shorts by the Jump Cut Film Collective
(2009–10, 28 min.)

The Jump Cut Film Collective was founded in Kabul in 2009 by a group of young, independent filmmakers, who share both production duties and formal concerns. The early shorts ANT (dir. Hashem Didari) and Devious (dir. Sayed Jalal Hussaini) display Jump Cut’s preoccupation with narrative filmmaking that uses nonlinear temporal structures, as well as their interest in the illegal and informal economies, the petty and not so petty thefts, grifts, and deceits that spring from the inequities and poverty of Kabul.

Feature: Mujasemaha Mekhandan
(The Sculptures Are Laughing, 1976, 81 min., dir. Toryalai Shafaq)

The deliriously paced story of an artist who falls in love with a spoiled rich girl, who marries a gangster that then draws both her and her former love into his wacky schemes. A window into life in Daoud’s republic, from art school and fashion shows to house parties and weddings.

Total run time 156 min.

Buzkashi Boys on their way to the Oscars

Buzkashi Boys Trailer from Sam French on Vimeo.

Set against the dramatic landscape of contemporary Afghanistan and the National sport of Buzkashi – a brutal game of horse polo played with a dead goat – “Buzkashi Boys” is a ground-breaking narrative film about two best friends, a charismatic street urchin and a defiant blacksmith’s son, who strive to realize their dreams as they make their way to manhood in one of the most war-torn countries on Earth. Shot entirely on location in Kabul by an alliance of Afghan and international filmmakers, “Buzkashi Boys” is a heart-rending look at the life that continues beyond the headlines of war in Afghanistan. Directed by Sam French

Herat International Women’s Film Festival

 

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Armanshahr Foundation/OPEN ASIA and ROYA Film House are pleased to announce the inauguration, for the first time in Afghanistan, of the

Herat International Women’s Film Festival

The city of Herat will host the three-day International Film Festival on the occasion of 8 March International Women’s Day.
The Festival will take place every year, however the first Festival is not competitive.
The last call to national and international film makers to send their works (fiction/documentary) on the theme of “women” is set for 24 Feb 2013.

TO CONTACT THE FESTIVAL:
TEL: +93 702376738/+93 704498450
Email: womenfilmfestival.herat@gmail.com

“Wajma” directed by Barmak Akram

 

Barmak Akram last movie “Wajma”, “An Afghan Love Story” selected to the International 2013
Sundance Film Festival
And the Screenwriting Award goes to ……….
Barmak Akram!!!!!
For Wajma (an Afghan Love Story)
“we all felt that the writing of this film was so natural that it became practically invisible”!!!
————–//————–
Et le Prix du Meilleur Scénario est attribué à ……
Barmak Akram!!!!
Pour Wajma (an Afghan Love Story)
“nous avons tous sentis que le scénario était tellement naturel qu’il en est devenu pratiquement invisible”!!!
————–//————–
Y el Premio del Mejor Guion va a ……
Barmak Akram!!!!
Por Wajma (an Afghan Love Story)
“hemos todos sentido que el guión era tan natural que se convirtio en algo praticament invisible”!!!
————–//————–
E o Premio do Melhor Roteiro vai para……
Barmak Akram!!!!
Por Wajma (an Afghan Love Story)
“todos nos sentimos que o roteiro era tao natural que ele acabou praticamente desaparecendo”!!!
————–//————–
Watch the Ceremony Awards from minute 49
Regardez la Cérémonie à partir de la min 49
Miren la ceremony a partir del min 49
Olhem o video a partir do min 49Watch the Ceremony