Beautiful recollections ! 39 Euros, Not yet available in bookstore, order this book by mail: email@example.com
“All people are living in fear so with this art, we can change the look of the city, and give a message of peace to the people and a message of acceptance of each other,” Maryam Kohi says.
“We want to shift the paradigm of heroism in Afghanistan,” Kabir Mokamel says. “It has always been heroes with guns or with swords, you know?
“So we want to celebrate the people that we see every day who are working on the street.”
“It’s time for Afghanistan and for the world to contribute something else other than weapons and war,” Mokamel says.
“We have been through war for the past 36 years, it’s really time to give art and artists a chance.”
From Jennifer Glasse’s Blog on Al Jazeera
October 10th, 7:00 pm
Zafar Paiman Excavations
My name is Zafar Paiman, I was born in Kabul. I am archeologist. Thanks to a scholarship, I came to France to study. I live in Paris.
I started to excavate in Afghanistan, mainly Kabul and its region, since 2003. The sites are Khwaja Safa, Tepe Narenj , Qol-e-Tut and Kunjakaï, 22km west of Kabul.
The recent excavations show that Kabul was still Buddhist in the early 11th century when Islam was already there in the current territory of Afghanistan.
I just completed a book that will be released soon : “The Tepe Narenj Buddhist Monastery At Kabul Buddhist Art During the First Muslim Raids Against the Town”
Tepe Narenj zone 14, unearthed in 2011. A Buddha sitting in meditation, in the foreground two columns “Pakhsa” adobe dating 8th, 10th century.
Tepe Narenj zone 14, unearthed in 2011. A Buddha sitting in meditation and Bodhisattva standing in the foreground two columns “Pakhsa” adobe dating 8th, 10th century.
Tepe Narenj zone 3 chapel 3 , sculptures standing against the south wall of the chapel, from left to right, bodhisattva, secular character (military) wearing boots and a secular character or princely type of sculpture Central India (all clay).
Tepe Narenj zone 3, chapel 4 – Heads of buddhas, clay stucco, 6th-7th century.
Tepe Narenj zone 3 – Chapel 2 . A 4 stone columns stupa, the base is 2.06 m side, unique in the World until today – 8th/9th century probably 10th.
Tepe Narenj zone 14, Buddha in meditation, discovered in 2010. Dating 7th 8th century.
Rubab & Percussions
1) Ya rasul-allah
2) Gold-e par zolfo
3) Modat-e shod ke tora
4) Daramad in Shur
5) Chahar Mezrab
6) Dar Daman-e Sahra
7) Mogholi ( Solo Zerbaghali)
8) Mawsom-e Gol
9) Raga Puria-Danashri, Gat in Matta Taal
Rubab – Khaled Arman
Zerbaghali,Tabla and Dholak – Siar Hashimi
Recordings – Khaled Arman
Editing – Miass Raolson
Video – Wolgrand Ribeiro
In her graffiti, Shamsia often paints women in Burqas, and fishes, symbols of the atmosphere flowing around her and her own life experiences.
She uses her art to help bring positive changes to people and more specifically to wash away the depressing memories of long-time war having taken place in her country.
As an Afghan girl confronting reactions motivated from traditional views, it is not always easy for Shamsia to do graffiti the way other graffiti artists would do around the world.
She would sometimes work her graffiti concepts out as drawings/paintings applied onto prints of pictures taken from different parts of Kabul: a category she calls “Dream of Graffiti.”
She was selected as one of Top10 for the 2nd Afghan Contemporary Art Prize in 2009, and since then has been part of solo and group exhibitions inside and outside of Afghanistan (e.g. Germany, Australia, Iran, India, Vietnam, Switzerland, Denmark ).
Teaching at fine art faculty of Kabul University, Shamsia, who is also one of the founders of Berang Arts Organization, puts her best effort to exchange her contemporary arts experiences with her students and present more artists to the community.
Poésie, Exposition & Vente Privée at Galerie Nikki Diana Marquardt
Samedi 29 novembre de 12h à 21h
Dimanche 30 novembre, lundi 1er & mardi 2 décembre de 12h à 18h
Afghan cartoonist Mehdi Amini displays his skillful work entitled “Dirtied Taliban Hands” that offers social and political commentary on the role of women in Afghanistan and government policies toward the Taliban.
continue on : www.tolonews.com/en/afghanistan/16084-afghan-cartoonist-exhibits-skill-political-critique
“Weaving for a brighter future”
From May 27th till June 1rst 2014 at Art Exhibition Centre, Saadiyat Island, Dubai, UAE
More details : http://pitch.pe/1qCruvi
Projection vendredi 16 mai 2014 à 20 h, salle Jean Dame.
17 rue Léopold Bellan 75002 Paris
Métro : Sentier ou Les Halles
La salle fait 300 places inutile de réserver.
Manifestation soutenue par la mairie du 2e, L’Autre Ecran, et l’Association Toiles et Toiles
Contact : Marie-Sylvie Rivière – Tél. : 01 42 36 48 70
From Thursday 8 till Sunday 11, May 2014
10 rue de Turenne 75004 Paris
Zolaykha Sherzad invites you to discover, exclusively in France, her new collection.
Private party on Thursday, May 8th from 6:00pm to 10:00pm (RSVP)
Hours: Thursday and Friday from 12:00am to 10:00pm
Saturday and Sunday from 12:00am to 6:00pm
Contact: firstname.lastname@example.org & mobile: 00 33 6 61 71 75 18
Du jeudi 8 au dimanche 11 mai 2014
10 rue de Turenne 75004 Paris
Zolaykha Sherzad vous invite à découvrir, en exclusivité en France, sa nouvelle collection
Soirée privée le jeudi 8 mai de 18h à 22h (RSVP) Gallery Nikki Diana Marquardt
Horaires : jeudi et vendredi de 12h à 22h
samedi et dimanche de 12h à 18h
Contact : email@example.com & mobile : 00 33 6 61 71 75 18
ABOUT ZOLAYKHA : http://magazinemv.com/4-issue CHECK PAGE 59
This episode of “Conversations With Zarlasht” is about Shekeb Yaghi, a Hip Hop/rap singer who also studies at the American university of Afghanistan and works in a construction company, Shekeb also talks about the future of Rap/Hip Hop music.
Dates & Venues
Elyas Alavi is a painter and a performer.
Here is another work :
This is a work I did here in Afghanistan. It’s called ” A journey with my grandma’s scarf to her homeland” . It’s with 2 photos on the wall. In one of the photos, my grandma’s scarf is on a rock in a very snowy mountain near my grandma’s place.
She died in exile (in Iran) last year. However I put the scarf inside ice to melt in the gallery. In a way to show her soul is back to her homeland and melt there….
Abul Qasem Foushanji – aka Dark Artery – born in 1987 (Afghanistan) is an Afghan freelance artist. His creates mostly Abstract artworks in mediums of painting/illustration, sound, and mixed media.
Along with his family, he spent 18 years of his life in Iran.
For about four years, during his childhood, he learned Realism painting from his Armenian master but after that he never went through any academy for arts.
He was graduated from high school in Tehran in 2004, and it was the same year that he came back to his origin, Afghanistan.
As Metal music has been a part of his life, and it was all a new life experience in India, Qasem started painting in the field of Modern Art in his second year of staying in that country (2007).
At that time his art (mostly paintings and drawings at that time) were more linked to the theme of “weakness and the failure of human body”.
After coming back from India, he continued working on paintings more concentrated, and was selected as one of Top10 artists for the 2nd Afghan Contemporary Art Prize.
Since then, his works have been on several group exhibitions in Kabul, while recently chosen to exhibit for dOCUMENTA (13) in Kassel, Germany as well as for its Kabul exhibition.
Qasem often reflects the unclean and dark aspects of life, believing “most of the people ignore such aspects, because it is not beautiful, but showing it more can help to create solutions.”
He is currently focused on creating more multimedia works. He also plays bass and writes the lyrics for Afghanistan’s only Metal band District Unknown. The artists that he is inspired by are Björk, Mogwai, Clyfford Still, and Salvador Dali.
Zarlasht Sarmastand women’s rights activist born and raised in Kabul, Afghanistan. She started her television career at the age of 11 in 2006 presenting and producing radio segments for the “Powerful Youth”, a programme broadcasted at RTA (Radio Television Afghanistan) radio station. Due to her talent, later on she was invited to produce and present “Future Makers,” a TV programme funded by JICKA and broadcasted also in RTA, featuring young peace ambassadors and movers and shakers throughout the country whom were very active in their communities and working in the peace-building on the nation. In 2008, she joined the production team of “CSA: Crime Scene Afghanistan” as the youngest TV presenter and producer along with award-winner journalists Amin Hanqo and Zabiullah Arya to produce and anchor the weekly youth segment on Children and Youth’s right in Afghanistan. Funded by UNAMA, the TV programme promoted the articles of the Universal Declaration of Human Rights and the UN Convention on the Rights of the Child.
In 2011, Zarlasht was named as Afghanistan’s Youth Peace Ambassador by the Afghan National Jirga for her constant work advocating for youth’s and women’s right. Some of her latest projects include the 2013 Sound Central Music Festival for the Youth, “We Believe in Balloons” peace campaign and arts installation, “Creative Despite War” film project, among others. She is currently working in the production of a web series called “Conversations with Zarlasht” featuring interviews focusing on the artists, politicians, musicians, and citizens that are living and working in Kabul, Afghanistan. She is also applying to different university programmes and scholarships opportunities to study Human Rights and Journalism.
Public Premiere November 27th .
Réservez vos places pour la 1ère séance au MK2 Beaubourg à Paris en présence de Barmak Akram
Book your seats for the first showing at MK2 Beaubour, Paris with Barmak attendance.
Prix du Scénario Sundance Film Festival 2013 – Sélectionné dans la section film étranger pour les Oscars 2014 http://www.oscars.org/press/pressreleases/2013/20131007a.html
Zolaykha Sherzad was born in Kabul, Afghanistan where she lived until the age of ten. When the Soviets invaded in 1979, Zolaykha and her family were forced to flee and settled as political refugees in Switzerland.
Trained as an architect, Zolaykha received her Masters in Architecture from the School of Architecture at the Federal Institute of Technology.
In 2000, she founded School of Hope, a non-profit organization that has successfully rebuilt and supported primary and secondary schools in rural Afghanistan.
In 2004, she started Zarif Design (Zarif means “precious” in Farsi) to help revive the Afghan artistic culture.
Today Zarif Design employs 50 Afghan women and men who, from their homes and one workshops in the old city of Kabul, revive traditional Afghan textiles and create strikingly unique and magnificently finished jackets and coats.
Are you ready to get your hands on beautiful, handmade clothing? Email firstname.lastname@example.org, view the contact information or visit http://www.farandwidecollective.com/collections/jackets to purchase something now.
Stupa , H 2,80m , W of the base 2,06m
Scientific publication by Zafar Paiman, Director of excavations. Volume 1 , Collège de France Publications
Written primarily in French and Dari but with a good summary in English.
This is the final report of the Afghan excavations at Tepe Narenj , started and entirely directed by the author.
Tepe Narenj is the name given to a rocky spur located in the Southern part of Kabul. It was entirely covered by Islamic graves when the dig begun. The ancient remains hidden under these graves are now entirely cleared and preserved. Two nearby places could also be excavated, smaller than the main dig, but yielding impressive results. All the excavated buildings belong to the latest period of a huge mahasanghika monastery dating back to the 2nd or 3rd c. A.D., now entirely covered by multiple layers of graves belonging to one of the most important and revered Islamic cemeteries in Kabul, where it is now impossible to conduct archaeological excavations. They were filled with colossal clay statues.
The stratigraphic analysis and the coins demonstrate that most of these buildings and statues were made after 870 A.D., i.e. at after the first Arab raids against Kabul. This volume contains the description and the fullest possible illustration of the finds (buildings, sculptures, ceramics, coins). Volume II will contain the historical and art comments.
To buy this volume :
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